If you would have told me, “man, you’ll be a married father-of-two, living in Idaho by your 36th year”… I’d have replied, “whatcha talkin’ bout”, and called you Willis.
Fittingly, 2016 began with my second self portrait — capturing this reality. Artist selfies take longer.
It began with a tweet. Alan Rich responded, recommending yours truly — one hour later, I was on a call with Brian Reich of the UN Refugee Agency, discussing the project.
The concept? A New Yorker-inspired painting, addressing the Global Refugee Crisis. Brian’s original 9th Avenue World View idea, transformed to a modern take on the original New Yorker cover, featuring Eustace Tilley… the New York Dandy.
This past Thursday, I had the honor of guest lecturing for Ryan Seslow‘s Art Appreciation Class at Iona College for a second time. My presentation revolved around my history, work, process, day-to-day and wrapped up with a 30-minute “draw the Guggenheim” exercise.
This past Thursday, I had the honor of guest lecturing at Ryan Seslow‘s Art Appreciation Class at Iona College. Professor Seslow, Iona College and the students welcomed me with open arms. My objective was to visually introduce my background, work, process and daily routine.
The year was 1925, the heart of the roaring twenties. New Yorker protagonist Eustace Tilley (below) had little on his mind other than butterflies and jazz ensembles. That was then. Today, poor old Eustace is out of sorts. The headlines illustrate doom and gloom. Strange new breeds of Three Term Changing Butterflies demand attention… he feels guilty. A rich man in a sea of social decline, afraid of terrorism, wondering who wants to kill him and his way of life.
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